Donald J. Trump’s ill-fated rally in Washington, D.C. has claimed a music trade casualty: the connection between Trump-boosting indie rocker Ariel Pink and his label, Mexican Summer, which introduced Thursday it was dropping him from the roster.“Due to recent events, Mexican Summer and its staff have decided to end our working relationship with Ariel Rosenberg AKA Ariel Pink moving forward,” the label stated in a terse, one-sentence announcement on Twitter.More from VarietyDue to current occasions, Mexican Summer and its workers have determined to finish our working relationship with Ariel Rosenberg AKA Ariel Pink transferring ahead.— Mexican Summer (@MexicanSummer) January 8, 2021Pink had been the topic of a furor within the indie-rock world after confirming that he had been in D.C. for the rally, though he denied had taken half within the riot that descended upon the Capitol after Trump provoked the group.Subsequently, incendiary feedback Pink had made in a podcast in December got here to mild which will have additional endangered his relationships within the music group. Pink stated of anybody who can “still be a Democrat at this point… to me it’s like all of a sudden all their intelligence just got shown to be a complete farce. All the smarts in the world that they had, all their artistic fucking genius… was just window dressing.”Related: How a pro-Trump mob stormed the U.S. CapitolIn the podcast, Pink additionally contended that COVID vaccinations don’t forestall the illness and solid doubt on local weather science “because literally everything the Democrats stand for, every single platform, is bullshit. So Trump for me is an indictment on anything bullshit… I’m so gay for Trump, I would let him fuck me in the butt.”Story continuesPink was considerably extra circumspect this week, however nonetheless brazenly supportive of the president, when followers on social media — most unaware of his political views — requested why he was on the rally.“I was in D.C. to peacefully show my support for the president,” he replied by way of tweet. “I attended the rally on the White House lawn and went back to hotel and took a nap. Case closed.”Asked by one other follower whether or not he was involved about attending an occasion the place few had been masked through the pandemic, Rice invoked Black Lives Matters protests, suggesting hypocrisy. “All the people at these events deserve what’s coming to them,” he wrote. “They took the risk knowing full well what might happen. BLM protests over the past 6 months are not informed about the pandemic?”The brouhaha started after Pink and fellow Trump-supporting John Maus had been pictured on Instagram in a D.C. resort with the caption, “The day we almost died but instead had a great time.” The picture, now deleted, appeared on the account of a so-called “red-pilled” filmmaker, Alex Lee Moyer, who lately had Pink and Maus rating a movie about disaffected younger males within the 4chan group, “TFW No GF.”In the current Wrong Opinion podcast, egged on by a number whose views gave the impression to be much more excessive than his personal, Pink referred to Maus as being politically like-minded and stated, “John is, by the way, 1001% on Team Trump now.”Pink’s arguments in favor of Trump and willingness to precise assist even after the rally led to widespread scorn amongst different musicians within the final two days.“Now I have nothing boring to listen to,” wrote Phoebe Bridgers, quote-tweeting a Pitchfork tweet in regards to the growing controversy over Pink and Maus.Going a lot additional again, Pink had beforehand alienated fellow musicians with irreverent remarks that some condemned as homophobic. “I’m very old fashioned, very traditional in my values. I don’t understand what all this gay marriage stuff is about, it really pisses me off,” he stated in a 2012 interview with Pitchfork. “I don’t really even support marriage, per se… I’m all for being a deviant, all for being a deviant, and being proud. Don’t pretend like you’re Betty Crocker. I love gays, by the way… I love pedophiles too, and I love necrophiliacs, and all these other people. When do they get their marriage and orientation, when do they get to talk about their sexual repression and how society doesn’t accept them?”In a New Yorker profile two years later, responding to rising criticism of his remarks in a New Yorker profile, Pink stated, “Everybody’s a victim, except for small, white, nice guys who just want to make their moms proud and touch some boobies.”It was shortly after that, greater than six years in the past, that Pitchfork ran an unsigned, staff-attributed op-ed accusing him of trolldom, with the headline: “Ariel Pink’s ‘Joke’ Isn’t Funny Anymore.” “Like an alt-rock extension of a self-satisfied 4chan user, Ariel Pink continues his episodic PR campaign to offend. … Pink is cashing in, embracing the role of the troll; he’s playing us, and being rewarded for it. The thing is, Ariel Pink hasn’t won at all. While he brings himself a lot of headline-grabbing attention, he’s actually bringing a spotlight to the very real and pervasive racism and misogyny that is deeply embedded in indie rock to the surface. All that needs to happen now is that we all recognize this.”Notably, Pitchfork had as soon as named Pink’s “Round and Round” one of the best music of 2010, and Entertainment Weekly described the “coronation” of a “hipster king,” within the days when widespread approval for his music outstripped the shaking heads that might ultimately extra generally greet his identify. Pink has not launched a brand new album since 2017.On Wednesday, watching the stir develop over his assist for right-wing views, Pink tweeted, “Welcome to the panoptigan (sic). They wasted no time… save yourselves friends, cancel me now and turn me in before they come for you.”Variety was not capable of instantly reach reps for Mexican Summer or Pink for touch upon the label’s choice to chop him unfastened.Best of VarietyJoin Variety’s Newsletter. For the most recent information, comply with us on Facebook, Twitter, and Instagram.